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Freeform Ottoman
Our Price:
$2,650.00
Availability::
Usually Ships in 4 to 6 Weeks
Product Code:
FREEFORM OTTOMAN
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Foot Color:
Maple Stained Walnut-Color
Natural Maple
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Fabric:
Anthracite
Black
Dark Brown
Green
Greyish Beige
Ivory
Light Grey
Yellowish Green
Qty:
Overview
Dimensions
Isamu Noguchi, 1946
Two examples of Noguchi's predilection for sculptural lines are his Freeform Sofa and Ottoman, the shapes of which are reminiscent of river pebbles. Noguchi himself described his design as "soft rock". Thanks to its organic shape and the natural tones of its upholstery fabric the sofa has a light, elegant feel, despite its voluminous form. Vitra Design Museum Collection.
Specifications
Wooden beech frame, classic upholstery, removable fabric cover, legs natural maple or stained walnut colour.
Other Information
Manufacturer
Vitra has manufactured furniture designs by Charles & Ray Eames and George Nelson since 1957. Building on this foundation over the years, the company has developed a wide range of furnishings for the office, for the home and for public spaces in collaboration with progressive designers.
Yet Vitra is more than just a design-oriented manufacturing company. The name also stands for the Vitra Design Museum, for a collection of modern furniture and its accompanying archive, for workshops and publications on topics of design, and for an architectural concept that unites buildings by Frank Gehry, Nicholas Grimshaw, Zaha Hadid, Tadao Ando, Alvaro Siza, Herzog & de Meuron and SANAA at the Vitra Headquarters in Birsfelden (Switzerland) and on the Vitra Campus in Weil am Rhein (Germany).
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Designer
Isamu Noguchi, born in 1904 in Los Angeles to the Japanese poet Yone Noguchi and the American writer Leonie Gilmour, studied at Columbia University and the Leonardo da Vinci Art School. He subsequently established his first independent studio and received a Guggenheim Fellowship in 1927. He then worked as an assistant to Constantin Brancusi in Paris and presented his first solo exhibition in New York. He studied brush drawing in China and worked with ceramics under Jinmatsu Uno in Japan. His experiences living and working in different cultural circles are reflected in his work as an artist. Isamu Noguchi is considered a universal talent with a creative oeuvre that went beyond sculpture to encompass stage sets, furniture, lighting, interiors as well as outdoor plazas and gardens. His sculptural style is indebted to a vocabulary of organic forms and exerted a sustained influence on the design of the 1950s. “My father, Yone Noguchi, is Japanese and has long been known as an interpreter of the East to the West, through poetry. I wish to fulfill my heritage”, he wrote in his proposal for a Guggenheim Fellowship. Isamu Noguchi died in New York in 1988.
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